Seth Applebaum about his Fostex Model 80 Tape Machine

“Last but not least is my trusty 8-channel reel-to-reel. Like the Ampeg Gemini, this unit has had a big hand in shaping the GFO sound, not just because of what it offers sonically but also for the workflow it dictates. Limiting myself to only 8-channels forced me to experiment a lot with mic placement so that I could capture the most while using the least. Drums were often recorded with a single mic, or two mic's on a special occasion. Having a backbone in economical microphone use has certainly aided my production style, not to mention the time I save by not having to chase phase issues. Now, because this tape machine is cramming 8 channels onto 1/4” tape (much like the more popular Tascam 388), the headroom isn't very high and there's plenty of crosstalk. Unlike the Tascam 388, however, this machine runs at 15ips, so what it lacks in track width it makes up for in speed and a little extra fidelity. That's not to say it doesn't get scuzzy. I've managed to coax some of my absolute favorite drum sounds out of this unit. Like all the other gear on this list, this one is sticking with me for a long time.”

- Seth Applebaum